- #BRONICA RF645 LOMO MANUAL#
- #BRONICA RF645 LOMO PRO#
- #BRONICA RF645 LOMO ISO#
- #BRONICA RF645 LOMO SERIES#
I shot this film on my Mamiya 645 Pro and 80mm f/2.8 lens. Without any plan in mind I set out in the Town Commons of Greenville,NC to see what this film was all about. I recently got my hands on Lomography Lomochrome Purple in 120. oh, and we used a Pentax 6x7 with a 90mm 2.8, and a Mamiya RB67 with a 90mm 3.5! If you can get your hands on one, hold onto it with your life.I haven't been part of the film community for long.so collaborating on a video with one of my FAVORITE film companies, Lomography.got me excited as hell! birgit and i shoot, compare, and contrast Lomography's Lomochrome Purple and their brand new film stock.Lomochrome metropolis in williamsburg, brooklyn. This simple camera was a rangefinder with a 67 format and an 80mm f2.8 lens from Nikon in the front.
When you mention the idea of a medium format 80mm f2.8 lens for the 67 format, every photographer today would need a change of clothing from all the drool that would come from their mouths. Of all the Mirrorless Medium Format Cameras on this list, the Diana F+ is the most fun and isn’t taken seriously enough.
#BRONICA RF645 LOMO MANUAL#
While some may scoff at it, it’s incredibly simple to use and when coupled with the instant film back, you’ve got one of the few instant film cameras capable of manual control. Then since your film speed is a fixed number, your only variable is the aperture and focusing. You’ve got the ability to shoot glass or plastic lenses and it’s always fixed at 1/80th of a shutter speed unless you set it to bulb mode. So why would the Diana F+ be on this list? Well, it’s actually not that bad and it’s very versatile. A handful of lenses are available and up until 2014, Tamron serviced the cameras.
#BRONICA RF645 LOMO SERIES#
It’s often highly overlooked partially because everyone and their mother sweats over the Mamiya series of cameras or because some turn away from the 645 format. They were built tough and the Bronica RF645 was no exception. The company was owned by Tamron for many years–and considering how good that company’s lenses are you can only guess how their cameras performed. Bronica RF 645īronica is perhaps best known for their SQ series of cameras or the ETR lineup. Indeed, it’s something where you put a lot of careful thought and work into.
Lots of landscape photographers use this format–as do portrait photographers. Amongst Mirrorless Medium Format Cameras, it’s considered the equivalent of the Holy Grail. If you have one, you’re most likely never letting go of yours. It’s just like many premium point and shoots these days. The silent function has to do with the leaf shutter design that puts the shutter in the lenses. Part of this has to do with its shutter being so silent that you don’t even think that the camera took a picture. The 6×7 format cameras cameras have a few lenses that are very highly regarded and overall the camera itself has seen use in studios, on locations, weddings and even in the streets. Mamiya 7 IIĪrguably the most legendary camera on this list, the Mamiya 7 II was Mamiya’s last entry into the medium format rangefinder world. The lens is sharp, the meter simply works, and there isn’t much that will get in the way of you taking better photos.
#BRONICA RF645 LOMO ISO#
With no manual controls except for ISO and focusing, what you should also be aware of is how reliable this camera really is. It shoots 6×6 images with a wide angle lens that is great for street photography. The Lomography LCA 120 is one of the more recent additions to the scene and arguably the smallest option here. Lucky for many of us, there have been many mirrorless medium format cameras available over the years that are still quite highly regarded. But for those of us who have been shooting it for a while are well aware of how awesome medium format film is overall. With all the excitement about the Hasselblad X1D, we all know that despite it’s very good price, many of us won’t be able to afford it.
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